摘要
著名昆曲理论家王季烈在《螾庐曲谈》中首次提出"主腔说"。"主腔说"的提出具有一定的时代意义和理论意义。后人在王季烈"主腔说"理论基础上,对其作了更详尽和科学的阐释,并放之于实际创作中,切实地解决了昆曲曲牌的联套问题。
WANG Ji-lie, the famous Kunqu theorist, proposed the theory of major tone firstly in his Comments on Opera by Yinlu. The proposal has certain era and theoretical significance. Based on his theoretical principle, the successors has made much more detailed and scientific interpretation about the theory, and put it into actual creation, which helped to solve the Liantao problem of Liantao in Kunqu.
出处
《徐州工程学院学报(社会科学版)》
2009年第2期80-84,共5页
Journal of Xuzhou Institute of Technology:Social Sciences Edition
关键词
王季烈
昆曲
主腔说
曲牌联套
曲牌音乐
WANG Ji-lie
Kunqu opera
theory of major tone
Qupai Liantao
Qupai music