摘要
王夫之诗歌美学思想是以"意象"为本体论范畴的,在他的诗歌美学理论著作《姜斋诗话》和他的诗歌批评实践活动中,王夫之通过对"意"和"象"这两个概念的分析和梳理,指出了两者在理论上的联系,事实上建立了以"意象"为本体的诗歌审美本体论。本文意在通过对王夫之的诗歌美学思想和诗歌批评实践的文本的解读,澄清王夫之诗歌美学思想的本体论内涵,明确其理论贡献。
Wang Fuzhi＇s poetic aesthetic theory focuses on ＂imagery＂ as the object of his studies. In Jiang Zhai Poetics and his other poetic criticism, Wang Fuzhi pointed out the theoretic link between ＂ideas＂ and ＂images＂ and established the poetic aesthetic theory with the imagery as its focus by analyzing these two concepts. By interpreting Wang Fuzhi＇s poetic aesthetic theory and poetic critiques, this paper aims to clarify his ontological connotation and make clear his theoretic contribution.
出处
《常熟理工学院学报》
2009年第3期74-77,共4页
Journal of Changshu Institute of Technology
关键词
本体论
意
象
意象
ontology
ideas
images
imagery
