用事不使人觉的完美境界——钱钟书用典研究之一

Perfect State of Using Allusions Without Being Detected——Research on Allusions Used by Qian Zhongshu

联系典故的性质、类型、特点及钱钟书的用典理论研究其在创作中的用典实践。认为钱钟书厚积薄发,学化为才,在创作中自觉或不自觉地把满腹的诗书故典与自己的生活阅历结合起来,化而用之,达到了一种隶事与否,读者不知,作者也不自知的境界。这是其学人小说、学人散文的一个重要特色,也是其运用典故的一种美学追求。

This paper discusses the allusions practice in the course of Qian Zhongshu＇s writing with the reference of its characters, styles, features and theories. The author thinks that Qian Zhongshu was so knowledgeable that he could combine various allusions with his own living experience consciously or unconsciously during the writing without being detected by readers even by himself. This is one of the important characteristicsof so-called Cultural Novels and Cultural Prose, which is also his own pursuit for allusion-aesthetics.