从票房活动看北京八角鼓的传承

Viewing the Descending and Inheriting of Beijing Ba-jiao-gu from the Point of View of Piao Fang(Place where the amateurs discussing and practicing the performance)Activities

清中叶在北京兴起的岔曲、单弦等八角鼓曲种,既是传统的曲艺形式,体现了传统文化的观念;又是北京旗人艺术的典型标志,影响着一代代人。随着时代和环境的变化,这种传统文化的积淀也在不断丰富和改变着。票房在传承八角鼓艺术中发挥了重大而不可替代的作用,票房中的过排活动具有一定的程式性,演唱岔曲的曲目在票房中占有相当大的比重。八角鼓艺术,是北京传统文化魅力的体现,应该得到继承和保护。

Cha Qu and Dan Xian are two varieties of Ba - jiao - gu and they arose in Beijing in the middle of Qing dynasty. They are not only the traditional varieties of the melody art reflecting the traditional cultural concept, but also the typical indication of the art of people of Beijing eight Banners influencing from generation to generation. With the changing of the time and the environment, the accumulation and illuviation of this traditional culture has been constantly enriched and changing. Piao Fang has played very important and immeasurable part in the descending and inheriting of the art of Ba - jiao - gu. The activities in the Piao fang have certain fixed procedures and the singing and performance of Cha Qu possesses very big proportion in Piao Fang. The Art of Ba - jiao - gu is the reflection of the traditional culture of Beijing and it should be inherited and protected.