艺术切入→随缘选择→文化思考--论音乐人类学与艺术人类学的学科视域及研究过程

On Anthropology of Art and Anthropology of Music with Their Research Process

如今,一个"艺术人类学"学术群体在中国崛起并发挥日益广泛的影响,体现了艺术学与人类学两大阵营在中国语境条件下的再度交融。作为音乐人类学学者,应该从学术心态、理论方法和实践内容等层面均对此有所准备。20世纪中期以来,现代民族音乐学在沿袭了音乐学的基本对象和范围的同时,还接受了人类学的认识论方法及批判性精神,对音乐学传统进行了扬弃。据此,本文提出:可将艺术人类学(含音乐人类学)的对象化考察研究过程简单归纳为三个基本阶段:"艺术切入、随缘选择、文化思考",或者从方位立场上归纳为"客位切入、主位体察、换位思考"。

Today a new academic group of ＂anthropology of art＂ is emerging and tend to exert an ever- rgowing influence, which embodiment of the fusion for two disciplines of art and anthrop in Chinese language sitration. As a scholar of the anthropology of music, it should be prepared well at the levels of academic men- tality, theory method and content of practice. The modern ethnomusicology followed the basic object and range of the musicology since the middle of 20＇h century, and meanwhile, got the critical inspirit and the methods of epistemology from the anthrop, which is the aufhebung to the traditional musicology. The paper reduce to three basic stages for the research course to the exploreing object of the anthropology of art, include anthropology of music： getting involved art, selecting at random, thinking with culture; or called： ＂objective involved, subjective observed. And thoughts in a manner of exchanging position＂.