摘要
抗战时期的街头剧是知识分子精英意识和官方意识形态向民间社会发出的共同呼唤,民族主义情绪最终使知识分子、政府当局以及民间社会达成最大共识。而民间社会也以其执着于日常生活的韧性向戏剧提出了趣味与热闹的要求,这在一定程度淡化了街头剧浓厚的教诲气息。街头剧场成为主流意识形态唤醒大众民族意识和大众表达政治行为的重要场所。
Street theatre during the period of Chinese Resistant War against Japanese Aggression served as a call for the public from intellectual elites and the state. At the time of national crisis, the state, the intellectuals and the public finally joined hand. In the meantime, theater experienced a change to meet the public's needs for entertainment.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2009年第1期28-37,共10页
Drama:The Journal of the Central Academy of Drama
关键词
抗战时期
街头剧
民族意识
日常生活
the Resistant War against Japanese Aggression, street theatre, national awareness, daily life