摘要
郭店简本和《孔子诗论》共同凸显了对"天命观"终极问题的叩问,强调了对"心性论"主体色调的抒发,表达了对"慎独"的真情追求。通过将郭店简本和《孔子诗论》置入相同的思想文化背景中加以考察与对读,证实了上述文献之间存在水乳交融的血脉关系,这两类文献正是"七十子"文化时段的产物,也是其学术取向"内圣化"的思想结晶。
Both Guodian Bamboo Slips and Confucian Poetics on bamboo slips in Shanghai Museum stress the ultimate inquiry into destiny, emphasize the expression of human nature, and highlight the sincere pursuit of self-cultivation even when alone. By placing Guodian Bamboo Slips and Confucian Poetics on bamboo slips in Shanghai Museum into the same cultural context, it can be seen that the two works are closely related as they are both the products of cultural period of seventy-two disciples and have shown a tendency towards internal saintization.
出处
《武汉科技大学学报(社会科学版)》
2009年第2期64-69,共6页
Journal of Wuhan University of Science and Technology:Social Science Edition
关键词
天命观
心性论
慎独
内圣化
views on destiny
contemplations on human nature
self-cultivation even when alone
internal saintization.