2Barbara Mittler. Cultural Revolution Model Works and the Politics of Modernization in China: An Analysis of Taking Tiger Mountain by Strategy[J] . The World of Music. Special Issue, Traditional Music and Composition, 2003(2) : 53-81.
8Anne Wedell - Wedellsborg. The Ambivalent Role of the Chinese Literary Critic in1980s. [ M]//Inside out: Modernism and Postmodernism in Chinese Literary Culture. Aarhus University Press, 1993. p. 134 - 152.
二级参考文献8
1[6]Michel Hockx.Questions of Style:Literary Societies and Literary Journals in Modern China,1911-1937[M].2003,Brill (Netherlands),310.
2[7]Galik,Marian.The Genesis of Modern Chinese Liteary Criticism,1917-1930[M].London:Curzon Press,1980.
3[8]Anne Wedell-Wedellsborg.The Ambivalent Role of the Chinese Literary Critic in the 1980s[m]//Inside out:Modernism and Postmodernism in Chinese Literary Culture.Aarhus University Press,1993.
4[1]Barbara Mittler.Cultural Revolution Model Works and the Politics of Modernization in China:An Analysis of Taking Tiger Mountain by Strategy[J].The World of Music.Special Issue,Traditional Music and Composition,2003 (2):53-81.
5[2]Anne Wedell-Wedellsborg.The Ambivalent Role of the Chinese Literary Critic in1980s.[M]//Inside out:Modernism and Postmodernism in Chinese Literary Culture.Aarhus University Press,1993.
6[3]Michel Hockx.Links with the Past:China's Mainland Online Literary Communities and Their Antecedents[J].Journal of Contemporary China,2004,13 (38):105-127.
7[5]Michel Hockx.The Literary Association (Wenxue yanjiu hui,1920-1947) and the Literary Field of May Fourth China[J].In The China Quarterly 1998,153 (March):49-81.
