摘要
陆川的两部作品《寻枪》和《可可西里》隐藏着一种共同的"秩序观"。秩序这一隐藏的观念在《寻枪》中具体表现为个人生活秩序、家庭生活秩序和社会生活秩序,在《可可西里》中具体表现为自然秩序和生存秩序。陆川的电影之所以会有隐藏的"秩序观",这是由导演的风格、爱好、价值观、世界观所致。
A common idea-“order” hides in Lu Chuan's two films, The Missing Gun and Hoh Xil. In The Missing Gun, it is embodied in expressing personal life order, family life order and social life order while in Hoh Xil the nature order and existence order. The director's personal style, interests, values and outlook lead to the idea existing in his films.
出处
《西南交通大学学报(社会科学版)》
2009年第2期116-120,共5页
Journal of Southwest Jiaotong University(Social Sciences)