《画皮》的当代社会语境

The Contemporary Social Context of "The Painted Skin"

陈嘉上导演的《画皮》借用古装片这一"画皮",杂糅了诸多现代社会观念,包括性别意识形态、婚恋的多重涵义等,利用影视的多重质素,对相关题材加以继承与扬弃,成功打造了一部伪东方魔幻主义的大片,一部缠绵凄婉的现代爱情"惊悚片"。

The director Gordon Chan＇s ＂The Painted Skin＂ has borrowed the form of the costume film, mixed in it many modern social concepts like the gender consciousness and multi-level connotations of marriage and love, taken advantage of the multiple qualities of film and TV, inherited and discarded the relevant subjects, created a successful film of a pseudo-oriental magic and a poignant modem love thriller.