摘要
新时期以来,无论从影视改编的数量上,还是从其改编方式上,都显示出影视与现当代中国文学名著不断疏离的趋势。此种趋势的形成,首先是文学、电影、电视这三种艺术形式各自发展、相互影响的结果。其次,还反映了新时期以来文人的启蒙心态向世俗心态逐步嬗变的过程。
In "New Period(since 1976)", the quantity and the way of screen-adaptation of the modern and contemporary literary works show that movie & TV and famous literary works are increasingly alienated. The formation of this phenomenon, above all, is an outcome of respective development, interaction of three different art forms of literature, movie and television. Furthermore, the increasingly alienating of movie & TV and famous literature works also reflects the gradual evolution of the author's mentality from enlightenment to secularism since 1976.
出处
《武汉大学学报(人文科学版)》
CSSCI
北大核心
2009年第2期196-201,共6页
Wuhan University Journal (Humanity Sciences)
基金
教育部新世纪优秀人才支持计划资助项目(NCET-06-0629)
关键词
名著
影视
改编
famous literary works
movie
TV
adaptation