摘要
在红色经典"反面人物"谱系中,叛徒是其中重要的一类。在叛徒形象塑造上,脸谱化和模式化是其主要的书写策略。但同时,由于叛徒曾经先后分属两个势如水火的阵营,其命运远比纯粹坚守自己阵营的人物复杂得多,因此一些文本也显现出可贵的深入到人性层面的思考。叛徒身份的暧昧源于其几乎清一色的资产阶级知识分子出身,政治意识形态的阶级、阶层划分方法决定了作家的价值取向和写作策略;而叛徒形象之所以给人留下深刻印象,在于叛徒塑造过程中所体现出的中国传统儒家文化"忠奸"观念的一脉相承。这些都极大程度地满足了读者的审美需求。
Traitors are one of the important negative figures in Red Classics. The main writing strategy to create traitors has a strong stereotyped tendency. Meanwhile,since traitors first belong to one side, and then to the opposite side they have a far more complex fate than those who firmly stand on their own side and some description of traitors goes into humanity. Traitors are almost of intellectuals of petty-bourgeois origin and political ideology and division method of classes decides the writers" value orientation and writing strategy. Traitors deeply impress people because traitor-creating reflects the idea of the "Loyal and the Treacherous" of the Chinese traditional Confucian culture, which greatly meets the aesthetic needs of readers.
出处
《江苏科技大学学报(社会科学版)》
2009年第1期84-88,共5页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
关键词
红色经典
叛徒
传统文化
忠奸对立模式
Red Classics
traitor
traditional culture
the Opposite Patterning of the Loyal and the Treacherous