《念奴娇》源流考

"Nian Nujiao" Origins Research

《念奴娇》自产生起,历来为文人雅士所追颂。由起初可能讴歌"念奴"歌女而兴,起于"香艳",经两宋文人整理扩充,词牌迭变,内涵渐丰富,脱离了曲调偏于香艳的本色限制,又在很大程度上受到苏轼词创的影响,其题材、神韵以及表现方式开始被后世词人广泛接受和沿袭,新风并出。《念奴娇》一调在宋代共有616首词作被用于依调歌唱,成为宋代使用频率最高的三大长调"金曲"之一。苏轼之革新更开启了后代词人对其声律特征和民族情感的沿袭之风。文章对《念奴娇》词牌、格律、声韵、以及诗风的发展和沿革略作考证,以探《念奴娇》源流演变以及其在宋词史上的领袖地位和示范作用。

＂Niannu Jiao＂ has been pursued by literati since it produced. It may be rise of praising the female singer ＂Nian Nu＂. After been finished the expansion by scholar of Song Dynasty, words brand of ＂Niannu Jiao＂ changed and its connotation is rith gradually. In order to tune out the sublime character limit, Su shi＇s work influence it a lot. And then, the spirit of the performance, as well as the way has been widely accepted and followed by future generations, and new style also appeared. In this paper, we do some work about words brand, rhyme, harmony of sound, and style of ＂Nian Nujiao＂, as well as the development of poetry and a brief history research to explore it. Finally, we can search the evolution of its origins and the status in the history of Song Dynasty.