“永失我爱”:失落的乌托邦——论当代社会转型语境下王朔的文化姿态

Lose My Love Forever:Lost Utopia——Wang Shuo's Cultural Attitude Under the Context of Culture in the Contemporary Social Transformation

20世纪80—90年代,作为一个兼具文学性与商业性,隐喻了中国当代文化变迁的过渡性作家或文化商人——王朔,其文化姿态始终依随中国当代社会文化转型的历史语境而彰显。"文革"的终结及社会结构的重新调整,使王朔及其笔下"干部子弟"在政治与经济的双重失落中成为了沦落在文化边缘的"末路英雄"。边缘化的文化处境造成了其前所未有的自我认同的焦虑与危机,"末路英雄"也因此面对边缘性的文化困境作出自身的文化反应。

In the 1980s and 1990s, as a transitional writer or a culture merchant who embodied the characteristics of literariness as well as commerciality and reflected Chinese contemporary cultural transition of the changing times, Wang Shuo＇s cultural attitude has always been closely related to the historical context in Chinese contemporary social and cultural transformation. The end of the Cultural Revolution, the re-adjustment of social structure made Wang Shuo and the ＂Children of Cadres＇in his novels be reduced to the ＂Heroes in the End of the Road＂ at the fringe of social culture, experiencing double loss of political status and economic interests. The marginalization in cultural situation brought them unprecedented and strong anxiety and crisis on self-identity, these ＂Heroes in the End of the Road＇therefore had to face and react to the plight of marginalization.