摘要
日僧空海的《文镜秘府论》是唐代一部比较成系统的诗歌理论专著,它的重要价值首先在于保存了一些中国已经失传的重要的诗论。《文镜秘府论》的内容主要是两部分:声律和意境的创造。它集中反映了唐代的诗风的全貌,而且显示出从尚声律到尚意境的转变。空海作为唐代来中国留学的日僧,为中国美学做出了独特的贡献。
Wenjing Mifu Lun by Japanese monk Konghai is a monograph on poetry theory and it preserves a number of important poetry theories lost. Wenjing Mifu Lun is composed of two parts: sound law and the creation of images of poem. It focuses on the whole picture of the poetry fromTang Dynasty , meanwhile it also shows the changes from emphasis on sound law to image. As a student abroad from Japan in Tang Dynasty, Konghai made a unique contribution to Chinese classical aesthetics.
出处
《襄樊学院学报》
2009年第3期5-11,共7页
Journal of Xiangfan University