论元散曲中几个关于杂剧演出与传播的套曲

On Several Taoqu about the Spread and Performance of Zaju in the Yuan Non-dramatic Songs

元杂剧由于不被正统文人看重,流传下来的文献资料不多。学界花费很大精力发现的文献资料,不能解决元杂剧研究中的一些问题。当今学界一方面深感元杂剧研究文献资料的匮乏,却又忽略元散曲中所保存的大量珍贵的元杂剧文献资料。元散曲中所保存的元杂剧文献资料,是我们研究元杂剧最真实、直接、可靠的文献资料。本文即以元散曲中六个记录元杂剧演出与传播的套曲为据,重点探讨元散曲对促进元杂剧创作与演出、普及与传播所起的积极作用,从而希望能够引起学界重视对元散曲中的元杂剧文献资料的深入研究。

As the Yuan zaju was not regarded as something important by the orthodox scholars, there is not much Yuan zaju documentation. The documentation acquired by the academic circle with great effort is unable to deal with the problems in the Yuan zaju study. Today＇ s academic circle on the one hand, senses deeply the scarcity of the study of the Yuan zaju documentation, but on the other hand, neglects a great deal of precious Yuan zaju documentation saved in the Yuan non -dramatic songs, which is the most authentic, direct and reliable to study the Yuan zaju. This paper emphatically explores the active role of the Yuan non - dramatic songs in promoting the creation, performance and spread of the Yuan zaju, hoping that the academic circle will pay much attention to the deep study of the Yuan zaju documentation in the Yuan non - dramatic songs.