论郭沫若和康德

Guo Moruo and Immanuel Kant

康德的哲学和美学奠定了德国浪漫主义文学思潮的理论基础，也是西方现代哲学和现代美学源头之一。郭沫若在1926年前，喜爱和传播康德的哲学和美学。这主要表现在三个方面：一、借短篇小说（（Lǒnbenicht的塔》创造了有鲜明个性和思想深度的一代哲人康德形象；二、以康德美学思想作为他宣传的浪漫主义文艺观的理论支柱；三、以康德的主体论、道德论和自由论高度评价以孔子和老子为代表的中国传统文化。他对康德哲学和关学的传播，对中国文学的现代化起了积极作用。

Immanuel Kant＇s philosophy and aesthetics are the theoretical basis of German Romanticism, and also one of the sources of modem western philosophy and aesthetics. Before 1926,Guo Moruo was indulged in and devoted to introducing Kant＇s philosophy and aesthetics, which is embodied in three aspects： a, he creates a philosophic figure of Kant with unique personality and profound thoughts through a short story ＂Lǒnbenicht＇s Tower＂; b, kant＇s aestheticism becomes the theoretical basis for his advocating of romanticism; c, he values Confucius and Laotsu in terms of Kant＇s thoughts of subjectivity, morality and freedom. His introduction of Kant＇s philosophy and aestheticism has a positive effect on the modernization of Chinese literature.