摘要
"钱乐之三百六十律"中的音差问题,历来受到国内外学者的关注。现经我重新推算后发现,在"钱乐之三百六十律"359个律间中具有三种规格的音差,作为主体部分的是"京房一日音差",共305个;剩下的54个律间为"钱乐之三百六十律"所独有的音差,即53个"钱乐之小音差"和1个"钱乐之大音差"。"钱乐之大、小音差"的出现,充实和完善了三分损益律这一律制的音差系列。
The problem of tonal difference in ＂Qian Lezhi＇s 360 temperaments＂ was emphasized by scholars at home and abroad. After recalculation the author discovered that there existed three kinds of tonal difference among 359 temperaments. The main part, ＂JingFang tonal difference＂ is totally 305, and the remaining 54 temperament are unique in ＂Qian＇s tonal difference＂, which are 53 small tonal differences and 1 large tonal difference. The occurrence of large and small tonal difference enlarged and improved circle of fifths temperament.
出处
《南京艺术学院学报（音乐与表演版）》
CSSCI
2009年第2期1-6,共6页
Journal of Nanjing Arts Institute:Music & Performance
关键词
钱乐之
三百六十律
京房一日音差
钱乐之大音差
钱乐之小音差
Qian Lezhi
360 temperaments
Jingfang tonal difference
large tonal difference
small tonal difference
