“马赛克主义”的面孔——文化研究视域中李安电影的总体特征

Theoretical Mosaicism of Ang Lee’s Films

对李安电影的现有研究限于局部分析,未能把握所有文本的总体特征:始终和前沿理论话语共振。本文评析,这一总体特征的深层根源是文本内在编码迂回性和当代理论走向"马赛克主义"的共振,李安文本序列即某种多重复调性质的"马赛克主义"理论面孔系列,进而可发掘李安电影共同的压抑主题所体现的激进主义线索,这一线索和当代理论热点的激进主义脉络彼此有效呼应。

The overall feature of Ang Lee＇s films, resonating with advanced theory, is not grasped by researchers due to the limitation of local analysis. The origin of this overall feature is based on the resonance between circuit of coding of context and current theoretical mosaicism. Ang Lee＇s context series, which is mosaicism with character of multi- repetition, may be used to dig the clue of radicalism embodied in the repressive theme in Ang Lee＇s films. This clue has a echo effect with radicalism of current theoretical hot topic.