摘要
从方言入诗的角度,梳理并回顾新诗史上与此相关的"读诗会"活动,将涉及到读诗会出现的原因、过程、呈现的方式、背后隐藏的声音等诸问题。在新诗白话化、口语化发展演变中,必然含纳从视觉艺术到听觉艺术转型的诗歌试验潮流。这一过程中有实质意义的一翼是异质性的不同声腔之和谐共存,它将在互动互补中继续推动新诗朝现实主义与口语化的方向缓缓流动。
From the perspective of putting dialect into poetry, this paper sorts out and recalls the poetry party activities in the history of poetry associated with it, such as the process of poetry party, the way it presents and the voice behind it, etc. In the process of poetry~ vernacularization and spokenlization, it must involve the trend of transformation experiments from the hearing arts to the visual arts. The real significance of this process is that the different tunes coexist in difference, and it will promote the diversified development of poetry in the complementary interaction continuously.
出处
《贵州师范大学学报(社会科学版)》
CSSCI
2009年第2期102-107,共6页
Journal of Guizhou Normal University(Social Sciences)
基金
贵州师范大学青年教师科研发展基金资助项目"方言入诗与中国现代新诗研究"(校社科青2007-02-29)研究成果
关键词
方言入诗
读诗会
听觉艺术
声腔
dialect poetry
poetry party
hearing arts
tune