华语现代诗抒情式批评初探

A Probe into the Lyrical Critique of Modern Chinese Verse

论文试着以抒情传统美学的当代界定,借助高友工所指出的两个理论主轴:一为"抒情过程",一为"抒情式的批评",找寻一条评论现代诗的蹊径。"抒情式的批评",体现以语言与语境为核心,不以诗的体类为限,而是以理想、风格、境界以及"抒情言志"传统进行文学批评。由是基础,将"情景交融"与"含蓄",作为诠释现代诗抒情意涵的两个要项。

This paper attempts to pursue an approach to evaluating modem verse by way of the contemporary demarcation of the traditional aesthetics of lyrics as well as of the two theoretic pivots proposed by Gao Yougong-the process of conveying one＇ s emotions and the lyrical criticism. Focused on language and contexts, lyrical criticism aims to handle literary criticism in line with the ideal, the style, the artistic appeal and certain traditional norms instead of being restrained by the category of verse. As such, the happy blending of feelings and setting in a poem and implicitness are employed as two key elements for explicating the lyrical implication of modern verse.