与“灵魂”的对话——关于“羌姆”舞蹈的探析

The Dialogue of "Soul"——On the Religious Dance, Cham

文章以苏珊.朗格(Susan.k.Langer)符号学的理论为基础对羌姆舞蹈作了如下分析:舞蹈仪式对于虚幻空间的营造和引导,并使参与者通过精神幻悟的体验而达到宗教意念的实现;作为意念的物化形式,羌姆舞蹈实现了情感的表达,也实现了对宗教崇拜和信仰所产生的虚幻心理的视觉补偿;"羌姆"舞蹈动作形态的展示作为人们信仰的物化验证和模拟再现的精神体验,实现了象征情感的现实转化;"羌姆"舞蹈作为宗教信仰约定的显现,在新时代下对其仪式的发展和传承的现代思考。

The paper is making a analysis of the dance---Cham with the semiology of Susan. K. Langer： the dance ritual constructs an illusion and renders the participants experience an illusionary spiritual enlightenment; as the materialization of thoughts, the Cham realizes the expression of emotion, the religious worship and visual compensation of illusionary psychology produced by the faith; the Cham＇s performance verified the materialization of the spirit and is a symbol of emotional experience of reality; being the representation of religious prescription, the Cham is of great importance to study its rituals and development.