摘要
本文在简要介绍杰姆逊的文化分期理论基础上,借用认识语言模式的理论,从能指、所指及参符三个方面,重点探讨了现代主义作品梵·高的《农民鞋》和后现代主义作品安迪·沃霍尔的《钻石灰尘鞋》之间存在的断裂,从而逐步分离并抽象出杰姆逊视野下后现代主义文化的特征及其理论的局限性。
This paper firstly introduces Jameson's cultural periodization theory and on this basis, according to the theory of cognitive linguistic model, the author puts forward the existing fractures between modernist work-Van Gogh's " Peasant Shoes" and postmodernist piece--Andy Warhol's " Diamond Dust Shoes" from three aspects: Signifier, Signified and Referent, and gradually distills crucial points of Jameson's postmodernism cukural concepts and the limitations of his theory.
出处
《中山大学研究生学刊(社会科学版)》
2009年第1期118-126,共9页
Journal of the Graduates Sun YAT-SEN University(Social Sciences)