黑格尔“独创性”艺术观的批评与转化

Criticism and Transformation of Hegel's Art Concept of "Original Creation"

本文从阐释学的角度,以黑格尔《美学》为主要对象,对黑格尔的"独创性"艺术观进行了新的解读,并指出批判地继承黑格尔的独创性艺术观,在我国大力倡导以人为本的科学发展观的当前,对我们如何正确理解"艺术家独创性"问题,以及促使当代艺术家立足于"以人为本"而不是"以己为本"进行艺术创作,有着很大的启示意义。

With Hegel＇s＂Aesthetics＂as the main target, this article re-explains Hegel＇s art concept of＂original creation＂from the perspective of hermeneutics and points out that the critical succession of the art view of Hegel＇s original creation has a great significance at the time when the concept of scientific development based on people-oriented is advocated.