反思“小女人散文”

Reflections on "Little Women Prose"

20世纪90年代中期出现的"小女人散文"之"小"的特点,主要体现在作品取材上的"小"和意义上"小"的特点;时代和文学本身的因素是"小女人散文"曾经风行并一度出现繁荣景象的原因;而"小女人散文"最终却归于沉寂,其中不乏有尖锐的批评,批评家们大都用传统的文学价值标准去评判"小女人散文"。本文认为客观、合理而公正地看待这种文学现象,是批评家的一种社会责任。

The main feature of the ＂little women prose＂ which appears in the mid 1990s is that it draws its material from ＂little＂ things and the meaning of ＂little＂. The reason why ＂little women prose＂was once so popular and was once so prosperous is time and literature itself. But the ＂little women prose＂ which had drawn sharp criticism disappeared into silence eventually. Critics mainly use traditional standards of literary values to judge ＂little women prose＂, which makes the once fashionable ＂little women prose＂ disappear into silence. This essay argues that it＇s critics＂ social duty to treat this literary phenomenon objectively, reasonally and jwtly.