豪迈激越与慷慨悲壮的交织——从“文儒”的角度看王勃的人格特征和文学创作

Wang Bo's Creation Style of Intertwining Heroics with Solemnity

作为初唐时期最具代表性的"文儒"型士人,王勃在接受家族儒学传统影响时,又和昂扬蓬勃的时代风气相激荡,形成了特殊的入仕观,从而创作出具有豪迈激越风格的骈文作品,有效地变革了积年绮碎的文学风气。同时儒学在王勃失意时给予其精神力量,使其在坚守儒道时的作品具有慷慨悲壮的品格,因此"文儒"的身份特征和思想观念成为影响王勃文学创作的重要因素,其豪迈激越和慷慨悲壮风格的交织则是"文儒"观念影响下的王勃创作的鲜明特点。

In the Early Tang Dynasty, as the most influential representative of the ＂writer-eonfucianists＂, Wang Bo, influenced both by the family＇s Confucian tradition and by the high-spirited and vigorous atmosphere of the times, forms a special view of entering political stratum, which helps him create parallel prose style works with a heroic style. And his creation style effectively changes the literature atmosphere. At the same time, Confucianism cheers him up when he cannot realize his political dream, as a result of which his works adhering to Confucianism embody the character of solemnity. Therefore, the identity and concept of writer-confueianist become an important factor to influence his creation, and the style of intertwining heroics with solemnity is his distinctive creation feature influenced by the concept of writer-confucianist.