摘要
20世纪80年代中期,王安忆大多数作品中,由于叙述人还没有成为充分自觉的独立叙述人,因而,也没有建立起统一确切的视点和角度,小说的视角大多呈现断裂错落的状态。"我"在引导读者关注这个故事,叙述人"我"虽然是第一人称,但"我"的叙事却是全知全能的。"我"时时侵入"她"或"他"的内心世界,因此,"我"的视角在某种意义上仍是一个全知视角,已经隐伏了王安忆日后叙事方式转变的萌芽。
In the middle of the eighties of the 20th century,because narrahve people don t oecome selfconscious and absolute narrative people in the most of Wang anyi' s writings, a specific and uniform angle is not established, visual angle of novel presents rupturable state. "I" am leading the reader to pay more attention to this story ,although narrative people "I" is first person, "I" narrative story is omnipotent. "I" always intrude the inner world of "her" and "him", so the visual angle of "I" is still an omniscience visual angle to some extend, but it hides the seed of the change of Wang anyi' s narrative style.
出处
《北华大学学报(社会科学版)》
2009年第2期76-79,共4页
Journal of Beihua University(Social Sciences)
关键词
全知视角
叙事方式
人性思考
Omniscience visual angle
Narrative style
Ponder of humanity