艺术丑的三步曲

The Trilogy of Ugliness Art

丑在艺术领域的发展可分为三个阶段:首先是被艺术家、理论家们所摒弃,被拒绝进入艺术的宫殿;其次,为了艺术美的需要,丑充当了陪衬的角色,局限于配角地位;最后,随着艺术实践的发展,丑从艺术中争得一席之地,并逐渐取得独立的审美价值,甚至有占据主导地位之势。艺术丑的这种变化发展有其自身的发展规律和特定的社会历史背景。

This paper introduced three stages of the ugliness in the art field. First, it was discarded by artists and theorists, outside the art field; Secondly, in order to represent art beauty significantly, the art of ugliness played a secondary role in the setting; Thirdly, with the development of art practice, ugliness has striven for its own position and obtained independent aesthetic value, and even ten- ded to play a dominant role in its later progress. In its process of experience, the change and development of ugliness consist wholly in its rule and its special social and historic background.