“字歪腔破”话美唱——论“字歪腔破”与“字正腔圆”的艺术合力与形情张力

"Zi Wai Qiang Po"and Perfect Singing——On the art force and situation tensility of"Zi Wai Qiang Po"and"Zi Zheng Qiang Yuan"

汉语在中国万年以上的流变中,化生出数以千计的方言土语,致使其文字存在着无法计量、互难对话的读音。是故,在以其作为曲文的民歌、说唱、戏曲、艺术歌曲、合唱等的演唱(下简称汉语歌唱)中,其"字正腔圆"便具有与生俱来的相对性!一旦改变注视角度、更新观念,再对不同汉语歌唱(含方言土语)不同的字腔关系稍作透析便不难发现,除开各地方言土语本身歌唱时的"字正腔圆"的相对性之外,还不可避免地闪烁着相对(方言土语之间)的"字歪腔破"、"字正腔破"、"字歪腔圆"等,相反相成的汉语歌唱艺术的特异光彩。而恰恰又正是这些实际广泛存在着的,诸如"字的歪、正","腔的破、圆"等种种刚柔相推所形成的艺术合力,方能全方位地展现出汉语歌唱艺术须臾不可离的各式各样的形情张力,继而彩绘出千姿百态的汉语歌唱艺术情象,彰显出我华夏音乐文化既古老又青春永葆的独特艺术魅力。

Thousands of dialects and local words are derived in the changes of Chinese language for more than 10 thousand years, thus makes an existence of uncountable words and pronunciations which are always difficult for people to make a conversation. So when these words are used in folk songs, raps, operas and art songs, ＂Zi Zheng Qiang Yuan＂ （ Correct vocal production of the words makes good singing. ） is born with relativity. There are inevitably different pronunciations and accents which are complementary. It is because of the artistic resultant force formed by the ＂Zheng＂ and ＂Fan＂ （ a pare of contradictory Chinese words ） , the Chinese language singing art various all kinds of tensilities are exhibited. And then various of artistic scenes are described. The unique artistic charms of Chinese music culture comes out which is both old and young. It will move towards various ＂ U＂ s link together, and magnificence. ＂Yin Yan Sheng Yue＂ the dialects and common language are both very important.