敦煌壁画艺术的生存:一种媒介发展观的视角

The Existence of Dunhuang Frescos Art:a perspective of a media development view

艺术与媒介的关系是密切的。教煌壁画艺术经过五种媒介的变革:从最早的墙壁上的绘画艺术,而后到画家们画纸上的"再现",接下来到相片纸上的"还原",然后到影视作品中的"构建",最后是赛博空间中的"重建"。从媒介发展观的视角,来考察敦煌壁画艺术在不同媒介中的生存状态,进而体现媒介变革对艺术产生的深刻影响。

The relationship between arts and medias is close. Dunhuang frescos art has experienced changes of five medias ： from the earliest painting art on the walls to the artists ＇ ＂reappearance＂ of the paintings on the paper, then to the ＂restore＂ of them on the photo paper, and to the ＂construction＂ in the works of TV and movies, and finally to the ＂reconstruction＂ in cyberspace. The writer tries to investigate the existence situation of Dunhuang frescos in different medias from the perspective of the media development, and then tries to show the deep influence of the media arts. change onarts.