放浪情欲与仕婚理念的错位整合——白朴杂剧《墙头马上》的泛人文内涵

The Dislocated Conformity between the Unrestrained Ardor and the Official-Marriage Conception——The Pan-Humanist Connotation of the Drama Qiang Tou Ma Shang Written by BAI Pu

白朴的爱情喜剧《墙头马上》不仅突破了原始素材"止淫奔"的劝诫题旨,传达了在异质文化浸润下以张扬人类本能情欲为表征的"郎才女貌"、"一见钟情"式的爱情婚姻理想,也形象地揭示了剧作家强烈的个性解放欲求与根深蒂固的传统价值观念的对峙抗衡,并力图凭借人性与情欲这条具有超时空特质的精神纽带,实现人类原欲与仕婚理念的联姻媾和,使全剧呈现出张扬个性与皈依礼法相互扭结的泛人文内涵。

The love comedy of Qiang Tou Ma Shang written by BAI Pu breaks through the original material of deterring elopement, expresses the love and marriage ideality of learned husband and beautiful wife, and failing in love at first sight influenced by alien culture, and reveals the conflict between the pursuit of indi- vidual freedom on the part of the dramatist and the deeply rooted traditional value concept. This drama realizes the combination of human primitive desire and official-marriage conception based on the clue of human nature and desire which is beyond time and space. The whole play embodies the pan-humanist connotation which publicizes the conflict between individuality and obeying etiquette and rule.