从赵明舞蹈看中国当代舞蹈的主流风貌

On the Mainstream State of Contemporary Chinese Dance from ZHAO Ming's Dance

正积极实践着的中国当代舞蹈艺术,从新中国的建立至今已有60年的发展历程,目前正日益努力缩短着与自身发展目标之间的差距。当代中国舞蹈艺术发展的格局是,既有"多元",又有"统一"。显然,中国当代舞蹈艺术尚不存在宏观、统领的风貌以及恢弘、壮观的大一统气派;但不容置疑的是,中国当代舞蹈正在走向成熟,正在将自己的风貌日益呈示在世人的面前。赵明的当代舞蹈创作也许可以看作对中国当代舞蹈的成熟、发展、壮大这一憧憬的充分认定,因为其艺术创作让我们看到了这种风貌的实在与确凿,中国当代舞蹈艺术创作的发展步伐也必然会随之坚实的前行。

Contemporary Chinese dance in active practice is endeavoring to achieve its goals. There does not exist a macro state or magnificent air in contemporary Chinese dance, but it is approaching maturity and presenting its state to the world. ZHAO Ming＇s contemporary dance creation might be regarded as a positive confirmation for the maturity, development and glorification of contemporary Chinese dance, for his artistic creation shows us the solidity of such a state.