摘要
自宋至明清,南曲演化过程中其取韵取向也是不断变化的,本文拟在戏曲发展的大背景下梳理南曲韵书南化的历程,回顾清代三部南曲韵书的研究。
From the Song Dynasty to the Ming and Qing Dynasties, the tendency in tones of the Nanqu opera was changing. The present article attempts to summarize, in the macro - background of the Xiqu development, the southernization process of the Nanqu tones and reviews the research on the three tone books of the Qing Dynasty.
出处
《艺术百家》
北大核心
2009年第3期117-124,共8页
Hundred Schools In Arts
基金
国家"985工程"二期"科技伦理与艺术"哲学社会科学创新基地项目阶段性成果之一
关键词
清代
南曲韵书
南曲
演化
戏曲发展
音乐
研究
Qing Dynasty
art
Tone books of the Nanqu opera
music
research
