摘要
本文通过对民族钢琴即兴曲《侗乡鼓楼》在材料核心控制技术上突出特点的深入分析,论述了作曲家如何将音程和音列两种核心音乐材料在作品中集中呈示,并利用移位、变形、加厚、减缩等作曲技术手段,将其在作品各个部分有机的发展,表现了作曲家对核心材料严密的控制技术。
This paper , on the basis of its deep study and analysis of the folk Piano Impromptu Dong Village 〈 Drum - tower 〉, the essay has shown how composers organize the interval and tone series in their works, and how they develop the composing techniques in their works, including shift, transforming, strengthening and shrinking, etc. , thus demonstrating the composers' strict control over the major parts of the works.
出处
《青海师范大学学报(哲学社会科学版)》
2009年第2期102-106,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
核心音乐材料
音程
音列
三声腔
major music material
interval
tone series
three - voiced - tune