论六朝骈文四六化的进程

Research on the Evolution of Four-six Bi-antithesising of Pian Wen in Six Dynasties

作为文体意义的四六和骈文是不能等同的。四六文不仅仅是指以四、六句式为主的骈文,其重要的标志是在文中运用较多的四六隔对和六四隔对。在徐陵、庾信之前,四六隔对在骈文中所占的比例并不高,而且句型单一、变化单调。在徐、庾等人的努力下,四、六句式逐步成为骈文中的主要句式,四六隔对的绝对数量增加了,而且运用得更加纯熟。但二人的骈文仍不完全合律。强调或讲究声韵完全合律,在唐人骈文创作中才成为普遍追求的审美目标。

As genre, Pian Wen can＇t be equal to Four-six prose,one sign of which is to manipulate more Four-six and Six-four bi-antithesis. Before Yu Xin and Xu Ling, the proportion of Four-six bi-antithesis in Plan Wen is low and the bi-antithesis isn＇t ingenious. With endeavor of Vu Xin and Xu Ling, four-word and six-word sentences establish important station in Plan Wen. Four-six bi-antithesis is not only increasing in number but also advancing in art. The tonal meter of Pian Wen of Vu Xin and Xu Ling is not completely mature. It doesn＇t come to Tang dynasties until the tonal meter of Pian Wen mature.