摘要
晋宋之交,统治我国诗坛近百年之久的玄言诗终于被以谢灵运为代表的山水诗所取代,随着内容的变化,刘宋元嘉诗坛也转而采用了赋体极貌状物的铺陈手法,并遍及到了山水诗之外的其他各类诗作之中。这种铺陈手法在当时的广泛运用,有其深刻的原因,也具有不可避免的缺憾。
Sceneray poem eventually has replaced the philosophical discussion poem which governed the poetic world for nearly one hundred. As the change of the content, Liu Song Yuan Jia gradually took the laying out techniques. It has its profound reasons to widely apply this technique and inevitable disappointment as well.
出处
《广西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第2期69-74,共6页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
元嘉
铺陈诗风
形成
得失
Yuan Jia
laying out feature
form
success and failure