中国画笔墨的表现形式

On the Performance of Chinese Ink Painting Form

笔墨对于绘画者来说是至关重要的,它不仅是一种表现主题的媒材,更重要的是一种带有观念和文化指向的语言,中国画借助线、墨、色等手段,在绘画中表现为一种从传统到现代的转变,从王原祁传统文人笔墨重性情化到现代实验水墨画家徐冰笔墨中的表现性和抽象性的呈显,笔墨随时代的发展不断变化,从而使绘画的抽象性与具象性之间存在着"似与不似"的美学观念。

The painting brush and ink as a whole is crucial to traditional Chinese paintings. It is not only a kind of material for subject performance, but also ,more importantly, a kind of language which has an idea and the cultural intention. Chinese paintings witnesses a transition from traditional paintings to modern ones by means of line, ink and color.... This paper takes Wang Yuanqi and Xu Bing as two examples to illustrate the abstract quality of Chinese paintings, Wang, as a traditional Chinese painter, attach importance to the emotion and character in the painting, While Xu Bing is a modern experimental painter,in his paintings the abstract quality can be observed The skills of using painting brush and ink develop constantly with the time going on.,and thus ultimately causes an＂similar and unlike＂ esthetic concept.