元代包公戏中包公形象的塑造方式和形成过程

The Image of Baogong in the Opera of the Yuan Dynasty

元代包公戏中包公的塑造方式具有神化和平民化双重特点。此外,包公形象也融入了范仲淹事迹,并且采用了英雄人物塑造的思维定势。这主要是由于流传过程中的失真所致。从某种意义上说,包公被神化和美化也是元代历史之必然。

The image of Paogong in the opera of the Yuan Dynasty has the ddal characteristics of describing him both as a god and as a civilian. In addition, the image of Baogong was merged with the deeds of Fan Zhongyan and the model in portraying heroes, which results from the truth lost in the spread of the image of Paogong. In fact, the mythicization and beautification of Paogong is inevitable in the history of the Yuan Dynasty.