摘要
音色决非是一个简单或是单一的概念,它是与音乐内涵、创作者的意图和演奏者的二度创作相联系的。手风琴室内乐演奏中的音色变化是通过变音器的选用、风箱及触键的紧密配合来完成的。
Timbre is not a simple or single concept, but a combination of music connotation,the intention of creator and the recreation of player. The various timbres in the accordion chamber music playing are completed by the selection of register and the close coordination of bellows and keys touching.
出处
《山西大同大学学报(社会科学版)》
2009年第2期108-109,共2页
Journal of Shanxi Datong University(Social Science Edition)
关键词
手风琴室内乐
音色
变音器
风箱
触键
accordion chamber music
timbre
register
bellows
keys touching