摘要
本文试图立足于鲁迅对《朝花夕拾》中的民俗描写来透视其对于中国传统文化所持的文化哲学观,打破仅仅将鲁迅当作一个激进的反传统主义者的刻板印象,为我们更好的理解鲁迅提供一个新的视角。鲁迅对民俗文化中生命力高扬的部分持体认和肯定态度。其中,儿童的经验视角和成人的叙述视角对民俗文化的不同情感取向造成了两者在文化哲学观上有限度的契合和张力,而这也在一定程度上造成了民俗文化现代性意义的生成。鲁迅对传统民俗落后一面的批判,立足点也在于"立人"说关照下的生命力萎缩造成的国民性缺陷。
Based on the description on folklore in the 《 Dawn Blossms Plucked at Dusk》, the article attempts to analyze its culturalphilosophical view on traditional Chinese culture, which breaks the stereotype method of portraying Lu Xun as a radical anti-traditionalist who takes firm attitude toward the high vigor of fork culture, providing us a new perspective to understand Lu Xun. Children's experience perspective and adult' narrative perspective on folk culture lead to limited correspondence and tensility of their philosophical view on folk culture, whiah to some extent attribute to the emergence of modem folk culture. Lu Xun's criticism on the backwardness of folk culture is also based on the national character flaw resulted from the withering lives according to the "cultivation" theory.
出处
《山东教育学院学报》
2009年第2期40-43,共4页
Journal of Shandong Education Institute
关键词
《朝花夕拾》
民俗
文化哲学观
《Dawn Blossms Plucked at Dusk》
Folk-Custom
Cultural-Philosophical View