摘要
老子的"道"范畴是中国文学批评理论的重要范畴,作为中国文学形上概念的重要源头,其对文学批评的发展有着深远的影响。从文学批评发展历史来看,老子之"道"的文论内涵主要包括"文之原"、"言之极"与"神之境"三个层面。
Laozi＇s ＂Tao＂ is an important category in Chinese literature criticism. It is the headwaters of metaphysical literature category in China and had farreaching influence on literature criticism. For the history of Chinese literature criticism, the literary meaning of Laozi＇s ＂Tao＂ include three aspect： the fountainhead of literature, the utmost of language, the realm of spirit.
出处
《殷都学刊》
2009年第1期139-143,共5页
Yindu Journal
基金
武汉大学汉语言文学典籍整理与研究中心项目"先秦典籍中的文论关键词研究"(2005001)
关键词
老子
道
文之原
言之极
神之境
Laozi
Tao
the fountainhead of literature
the utmost of language
the realm of spirit
