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论苏轼词的词汇—语义的联觉具象和感知及其变化和转移

On the Combined specific Images and Sense of Vocabulary-Meaning and its Variation and TransferResearch on Su Ci from linguistic perspectives Ⅲ
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摘要 诗词的语言,是感性的语言,是感觉的语言,是充满形形色色的具象的语言,是由视觉类具象、听觉类具象、触觉类具象、嗅觉类具象、味觉类具象、动觉类具象、心觉类具象、等各种具象独立或组合配置而形成的语言。由视觉类具象、听觉类具象、触觉类具象、嗅觉类具象、味觉类具象、动觉类具象、心觉类具象中的两个或两个以上的感官具象,组合配置而形成的具象,可称为"联觉类具象"或"合觉类具象"。词句的具象,尤其是词篇的具象,往往是"联觉类具象"。 The language of poetry is the language of perception and feel and comprises various kinds of specific images. Specifically, it comprises of vision--specific image, hearing--specific image, tactility-- specific image, smell-- specific image, taste-- specific image, move-- specific image, mind-- specific image and so on. For those images that are constituted by two or more than of the images listed previously could be labeled as "combined" specific images. The specific images of poetry, especially those appear in Ci, are generally "combined specific images".
作者 韩陈其
出处 《宝鸡文理学院学报(社会科学版)》 2009年第2期68-74,共7页 Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词 语学释读 联觉类具象 视觉类具象 听觉类具象 触觉类具象 味觉类具象 借代义 回文 The formulation of language Combined specific image Vision-- specific image Hear- ing--specific image tactility--specific image Taste--specific image meaning generated by virtue of metonymy sense-- making expressed adversely or reversely
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