摘要
生态美学作为生态哲学的一部分,对生态文学批评有着重要指导作用。海德格尔的"人,诗意地栖居"的理念,作为其"天、地、人、神四元合一"哲学的文学性阐释,被视为生态美学的典范表述。而在古希腊罗马的神话中,早已蕴涵并且具像化了海氏的这种生态美学思想,尤其是类似黄金时代的神话更呈现了一种本原性的、无主客二元对立的先定生态和谐。
As a part of ecological philosophy,ecological aesthetics plays an important role in ecological criticism. Heidegger＇s notion of the play of the fourfold：earth,sky, mortals and immortals,or ... poetically /Humans dwell upon the earth, has been taken as the classic elucidation of ecological aesthetics. However, such ecological aesthetics is deeply rooted in ancient Greco--Roman Mythology, and in myths such as the Golden Age we find an ecological harmony that is ontological without subject- object opposition.
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2009年第3期168-172,共5页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
关键词
神话
黄金时代
海德格尔
生态美学
mythology
the Golden Age
Heidegger
ecological aesthetics
