摘要
《押沙龙,押沙龙!》—直被视为威廉·福克纳最杰出的作品之一。在这部史诗般的作品中,福克纳充分展示了他的精湛技巧和艺术天赋。文章以俄国文学批评家巴赫金复调小说理论为基础,分析该部小说所体现的三大复调特征:主人公自我意识的独立性、对话性和未终结性。
Absalom, Absalom! has long been seen as one of William Faulkner' s supreme creations, in which Faulkner exhibits his technical virtuosity and aesthetic genius to the full. This paper is to analyze the polyphonic features in the novel: the heroes' narration with independent self-consciousness, dialogism and unfinalizability on the basis of Mikhail Bakhtin's polyphonic theory.
出处
《江南大学学报(人文社会科学版)》
2009年第2期104-107,共4页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
复调
主人公自我意识的独立性
对话性
未终结性
Polyphony
the Heroes' Narration with Independent Self Consciousness
Dialogism and Unfinalizability