仪式性实验与城市的“异形空间”——第四届上海国际小剧场戏剧展演的观摩

Ritual Experiment and the Other's Space in the City——On observation of the 4^(th) Shanghai International Drama Show

2007年上海第四届国际小剧场戏剧展演是一个小众的节日,一个部落的节日,它体现的戏剧的仪式性试验。尤其是理查.谢克纳的《哈姆雷特:那是个问题》、《狂人教育》、《两个老柴玩游戏》、《圆明园》、《股市反弹》、《清明上河图》等都有程度不同的仪式性,本文从性别与身份、叙事与面具来论述其美学特色。这届小剧场戏剧展演,是在上海戏剧学院的小剧场、新空间、黑匣子,莲花路校区、儿艺马兰花剧场、话剧中心艺术剧院上演的,这些剧院都是在华山路、安福路一带,形成了上海的话剧一条街,或者说话剧的空间,用米歇尔.福柯的话说,是城市的"异形空间"。本文从空间和城市,空间和舞台的关系作了阐释。

The 4th Shanghai International Drama Show 2007 is a festival for the small public, a festival of the tribe, symbolizing a kind of ritual experiment in drama. Plays by Richard Sehechner： Hamlet： That＇s the Question, Educating the Wild, Two Woodsmen at Games, Yuan Ming Yuan （ Gardens of Perfect Brightness）, Rebounding of the Stock Market, The Scene of Daily Life at Qingming all serve as a kind of ritual. This article discusses their esthetic meaning from the perspectives of sex and identity, narration and mask. This drama show took place in such theaters as the small theater in Shanghai Drama Institute, New Space, Black Box, theater at Lianhua Road campus, Children Arts School＇s Flagger Theater, theater at the Drama Center. These theaters are all located in Huashan Road and Anfu Road, otherwise known as theater streets or drama space, or ＇the space for the other＇ as Foueault put it. This article gives an interpretation of such space in view of space and city, space and stage.