台港电影的中国化阐释——从文化身份的角度观照改革开放以来中国内地的台港电影研究

Chinese Interpretation of Taiwan and Hong Kong Films——a study of Taiwan and Hong Kong films on China's Mainland from the perspective of cultural identity since 1980s

改革开放以来,中国内地的台港电影研究在文本分析、作者论和类型研究以及产业探讨、文化批评和影史写作等领域均取得了令人瞩目的业绩。三十年间,台港电影的中国化阐释,从最初的起点到令人瞩目的跨越,凝聚着几代电影学者的家国之梦和文化理想。与其说这样的努力是对台港电影的身份追寻;不如说台港电影的中国化阐释是在全球化语境中坚守着中国电影的精神气质,捍卫着民族文化的完整性。

Outstanding achievements have been made in research on Taiwan and Hong Kong films done in main land China concerning diseourse analysis, author study, genre study, film industry diseussion, cultural criticism and the writing of film history ever since opening up and reform. Within this span of 30 years, the Chinese interpretation of Taiwan and Hong Kong films started from its first step to its present leap, reflecting drams and ideals of film scholars of several generations. Such efforts lie not so much in seeking identity of Taiwan and Hong Kong films as in Chinese interpretation of them. They maintain the spirit of Chinese films at large and defend the integrity of national culture.