解读书画的虚实、可写性与现代主义艺术理论

Void and Solidity、Scriptability and Modernist Art Theory

当下的理论批评实践表明,(后)现代主义艺术理论的倡导者,在以学科化的形式给艺术批评制造系统化、结构性的思想混乱,因此对他们的理论进行批判整理不仅必要而且紧迫。以下将具体分析法国学者罗兰.巴特的"可读性文本/可写性文本"理论,以及雅克.德里达的"指涉结构"理论,究竟与中国传统书画理论有着什么样的一种本质区别。

Recently, the practice of theoretical criticism has proved that advocators of modernist and postmodernist artistic theories are making systematic and structural confusion to artistic criticism in the form of disciplinary study. Therefore, it is not only essential but also urgent to criticize and liquidate their theories. In this paper, essential difference among theories of ＂lisible text＂ and ＂scriptible text＂ by French scholars Roland Barthes and ＂referential structure＂ by J. Jacques Derrida and Chinese traditional theories of painting and calligraphy will be discussed.