摘要
1987年在湖北荆门包山二号墓出土了一件子母口漆奁,其奁盖立面上所绘之图像,是迄今为止发现的战国时期最完整的一幅出行图。本文从图像与功能的角度出发,通过对包山二号墓漆奁的出行图像这一个案研究,指出其是一种过渡性质的绘画,它与同时期主题性绘画一起,在构成不同于以往艺术形式的图像体系的同时,也开启了另一种图像模式。
A pair of dressing containers were unearthed from No. 2 Tomb in Baoshan, Jingmen, Hebei province in 1987. On the cover, there was some drawing, a kind of road map, which was the most complete of its kind ever unearthed in the Warring State period. This paper made a study of the road map from the perspective of imaging and function and came to the conclusion that such drawing is a transitional drawing. Together with the thematic drawing of that period, this kind of drawing constitutes an imaging system different from past artistic forms, hence a new kind of image mode.
出处
《文化艺术研究》
2008年第3期215-221,共7页
Studies in Culture and Art
关键词
包山二号墓
漆奁
出行图
No. 2 Tomb in Baoshan
dressing container
road map
