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女性主义下的妇女命运观照——《玩偶之家》和《伤逝》的比较研究

On Women'Fate—A Comparative Study of A Doll's House and Regret For The Past
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摘要 在自由、民主、平等的思想影响下,《玩偶之家》和《伤逝》中的两位女主人公娜拉和子君都发出了代表女性最为强烈的振耳发馈的声音。她们都被各自的生存环境所异化,但在处理的过程中,两位主人公却采取了各自不同的方式:娜拉通过话语否定了不合理的社会,表达了自己作为一个独立人的权利;子君则在默默中前行,没有选择,只有接受,惨遭抛弃,以至最后丢掉性命。这两种不同的抉择背后蕴含了中西两种不同的文化根源。并且较之于浸润在更多的民主思想中的西方女性,中国妇女有着更为悲惨的命运。 Under the influence of freedom,democracy and equality, the heroines in A Doll's House by Henrik Ibsen and Regret For The Past by Luxun all gave off the strongest sound which stand for feminism.They are both objectified by their respective living environment, but in process of handling, the two heroines took different ways respeetively, "Either outbreak in silence,or extinct in it ", Nora denied the unreasonable society through disclourse , expressing her own rights as an independent human; though Zijun was in silence,there was no choice but to accept, and she was abandoned, and lost her life as well. But there are two different kinds of Chinese and Western euhural roots behind these two different choices. Despite men still holds the words hegemony in the seemingly equal "harmonious society" ,but by and large, most of the women from China and the West can not get rid of the escaping fate ,only compared with the West Women who were invased in the more democratic ideas, Chinese women have more tragic fate.
作者 彭海燕
出处 《江西教育学院学报》 2009年第2期79-82,共4页 Journal of Jiangxi Institute of Education
关键词 《玩偶之家》 《伤逝》异化 女性主义 文化差异 A Doll's House Regret for the Past objectification feminism euhural differences
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