精神自渎:“禁欲主义理念”的戏子?

Spirit Self-profanity,the Player of Asceticism

精神自渎现象是陀思妥耶夫斯基的小说始终关注的对象。所谓"精神自渎",就是精神上的自我亵渎,具体表现为精神上自我蔑视,自我折磨和自我嘲笑,并且在这种自轻自贱中体验到一种难以言传的快感。精神自渎现象本身就是一个悖论,陀思妥耶夫斯基通过对话性、表演性和有"透气孔"的语言,使精神自渎者们成为尼采所谓"禁欲主义理念"的模仿和戏拟,而这种表演和模仿禁欲主义观念自身进行了彻底的解构。

Spirit self--profanity is the phenomenon which the novels of Fyodor Mikhailovich Dostoevsky always pay attention. Spirit self--profanity is the self--profanity in spirit, which demonstrates in self--flouting, self--torturing and self--laughing in spirit, then to get some unspokenable happiness in the experience. The phenomenon of spirit self--profanity is a paradox in itself. Fyodor Mikhailovich Dostoevsky has, by way of dialogue, performing and permeable language, made the men of spirit self--profanity the imitators and players of Nietzsche＇s asceticism, and then made a complete deconstruetion to asceticism.